Here are some interesting videos related to PA and sound reinforcement systems. Wikipedia defines that a public address system (PA system) is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound source or recorded sound or music. The term, sound reinforcement system generally means a PA system specifically for live music or performance. A sound reinforcement system for a rock concert or other large event in a stadium may be very complex.
A brief history of live sound reinforcement
Stage Left Audio – Event Video 11
Dave Rat about his sound engineering for the Red Hot Chili Peppers live tour 2016
LIVE SOUND SUBS SUBWOOFER PLACEMENT & CONFIGURATION: LR, Center, Cardioid, End Fire (Pt1)
Look inside D&B, L’Acoustics and MicroWedge Monitors
DJ Sub and Speaker Placement For Dummies
Cardioid Subwoofers and Nexo Technology Part 1
Time Lapse of a Large PA Audio Sound System Setup for Rock & Roll
#38 – Arena line array system walk-through
How to Set Up a Simple PA System
Sound System Tuning Step-by-Step using TRACT and Smaart
Audio 101- How to do a pro sound check.
1,023 Comments
Tomi Engdahl says:
Just shows how absurd the arguments are about tone woods if you can get a sound like that from cardboard
Tomi Engdahl says:
Sound Engineer Toby Francis on Working FOH for Ariana, Aerosmith, Kanye, and More
https://online.berklee.edu/takenote/sound-engineer-toby-francis-on-working-foh-for-ariana-aerosmith-kanye-and-more/
Toby Francis is a front of house engineer who has worked with stadium-level artists such as Ariana Grande, Aerosmith, Justin Bieber, Katy Perry, Kanye West, and so many more. While he was writing his excellent Live Event Sound Engineering and Concert Production 101 course for the past six months, he was touring with Red Hot Chili Peppers
Tomi Engdahl says:
https://online.berklee.edu/courses/live-event-sound-engineering-and-concert-production-101
Tomi Engdahl says:
Taylor Swift fans trigger 2.3-magnitude ‘Swift Quake’ at Seattle show
https://globalnews.ca/news/9862853/taylor-swift-fans-earthquake-seattle-concert/?utm_source=GlobalNews&utm_medium=Facebook&fbclid=IwAR13mcvbqOgFKrU26jVX6EB_pO-7GvPkSZPMs8ExOXgnxNkbOR1XCQ6u6Oo
Every Taylor Swift fan has at least once jumped around to Shake It Off — but when over 72,000 Swifties dance together, the outcome is (literally) seismic.
When Swift, 33, performed two nights at Lumen Field in Seattle last weekend, she and her fans created seismic activity equivalent to a 2.3-magnitude earthquake, according to seismologist Jackie Caplan-Auerbach.
Tomi Engdahl says:
The microphone rapper Cardi B threw at a fan during a concert late last month sold on eBay Tuesday for nearly $100,000, after drawing up a considerable amount of interest in an online auction after the highly publicized mic toss reportedly led to a brief police inquiry and prompted renewed debates around fan behavior at concerts.
Microphone Cardi B Threw At Fan Sells For Nearly $100,000 On EBay
https://www.forbes.com/sites/anafaguy/2023/08/08/microphone-cardi-b-threw-at-fan-sells-for-nearly-100000-on-ebay/?utm_source=facebook&utm_medium=social&utm_campaign=forbes&utm_term=se-breaking
The microphone rapper Cardi B threw at a fan during a concert late last month sold on eBay Tuesday for nearly $100,000, after drawing up a considerable amount of interest in an online auction after the highly publicized mic toss reportedly led to a brief police inquiry and prompted renewed debates around fan behavior at concerts.
The person who sold Cardi B’s microphone said he[-]
will split the proceeds evenly between two charities.
Tomi Engdahl says:
https://trusstool.com/?fbclid=IwAR2sD3MHuElQODAe7zWfG4rDERGL1gZlZPgYDW5a_WVNCCMxwnil81tmTOw
Tomi Engdahl says:
Inside a 360W digital amplifier
https://www.youtube.com/watch?v=dAM882I6u7g
bought this amplifier purely so we could open it and take a look inside. It’s a modern class-D amplifier that uses pulse width modulation and filtering to achieve high power audio amplification efficiently with low heat and size.
One slight correction. The incoming supply comes in via an NTC inrush current limiter which I inadvertently called a MOV (Metal Oxide Varistor).
Initially I thought it might have a dedicated chip or module for the amplification, but it seems to use discrete transistors on the output with a couple of mystery chips. The power supply is notable for using a discharge lamp ballast control chip, presumably because it is a dual rail power supply with the zero volt output referenced to mains ground, and the two-MOSFET push-pull drive circuit makes it better suited to that.
The way the four output transistors are pinned down onto the aluminium backplate is quite interesting.
The areas of most concern for reliability are the ribbon cables and the solder joints on the speaker pillar terminals I’d rather the power had been linked across with a beefier dedicated wiring loom and auxiliary low current control cable. The IDC (Insulation Displacement Connectors) used with ribbon cable are alway problematic with high current.
The unit has three operational modes:-
Stereo – independent left and right channels.
Parallel – One input fed to both channels (mono)
Bridged – One input fed to both channels in antiphase to drive one speaker at higher power.
The stereo and parallel modes have one speaker connection connected to zero volt/chassis level and the other connection is pulled between the positive and negative rails by two transistors.
In the bridged mode both ends of the speaker can be driven to either supply rail by a full H-bridge transistor arrangement.
The “ground lift” option just isolates the incoming signal cable’s screen from the chassis. Do not ever disconnect the mains earth/ground. There’s a rather unpleasant culture within the audio industry to “avoid ground problems” by cutting the earth/ground wires in the mains plugs of equipment. That is absolutely the WRONG thing to do, but is perpetuated by the vague word-of-mouth training prevalent in showbiz. Removing the safety earth/ground means that in the event of a fault full mains voltage can be present on audio cables, resulting in a serious shock risk and equipment damage.
Tomi Engdahl says:
Mixing Chili Peppers Time Lapse Air Canada Centre 2012
https://www.youtube.com/watch?v=TF_D5z4WKFA
Tomi Engdahl says:
Can You Hear 1/10,000th of a Second? Updated
https://www.youtube.com/watch?v=SroxuLkxyY0
Lets listen and test how accurate resolution in our hearing is to time differentials between our left and right ears.
Can you hear 1ms delay? .5ms delay? .1ms delay? Or even better?
Grab you headphones and lets give a listen!
Tomi Engdahl says:
Coachella Main Stage Evolution 2001 to 2023
https://www.youtube.com/watch?v=G6KRCT_OG5I
Tomi Engdahl says:
Fireworks & Sound Over Water is Different (Public)
https://www.youtube.com/watch?v=IjoEmMtL2Yk
Lets look at and listen to what happens with sound traveling over a cold body of water.
And also watch fireworks!!
Tomi Engdahl says:
Can you hear the “line array” effect?
https://www.youtube.com/watch?v=xvWdolODF9M
Devin and Jared hear the differences between point source and line array speakers, as well as what the bow-ties in front of NEXO line array speakers do, and also what their folded high-frequency horn sounds like.
Tomi Engdahl says:
Do these consoles sound different?
https://www.youtube.com/watch?v=gBu3hj5hFHQ
We tested 13 popular audio consoles and two I/O devices to see if they sound different, and by how much. The results were surprising!
Tomi Engdahl says:
Audio Geekery! | L’ Acoustics K3, KS28, LA-RAK II, Avid S6L-24-C Rig Rundown | Seattle 2022
https://www.youtube.com/watch?v=cmHfUpgO6F0
In this video we take a walk thru the signal path of the audio system deployed at the Seattle convention center. We look at the Avid S6L and Avid SC48 mixing consoles and fallow the signal path thru to the L’ Acoustics LA-RAK II and LA-RAK amplifier controllers to the L’ Acoustics K3 line array and KS28 subwoofer all the way to the O.G. line array L Acoustics dV-Dosc, come along for the ride and if you enjoy this sort of video please consider subscribing – Thank you!
The Avid S6L is a digital mixing console designed for live sound applications, such as concerts, festivals, theater productions, and corporate events. It is the flagship product in Avid’s live sound product line, and it is designed to offer a high level of flexibility and control for sound engineers.
The Avid S6L features a modular design, allowing users to configure the console to meet their specific needs. The system can be expanded to support up to 192 input channels, and it supports a variety of digital audio protocols, including Dante and MADI.
The S6L includes a touchscreen interface that allows users to quickly access and adjust a wide range of parameters. The console also features a number of physical controls, including faders, knobs, and buttons, which can be customized to suit the user’s workflow.
One of the key features of the Avid S6L is its integration with Avid’s Pro Tools digital audio workstation. The console is designed to work seamlessly with Pro Tools, allowing users to easily transfer audio between the two systems and to use the same plugins and processing tools on both the console and in Pro Tools.
The Avid S6L also includes a range of other features that make it ideal for live sound applications, such as built-in effects processing, snapshot automation, and virtual soundcheck capabilities. Overall, the Avid S6L is a powerful and flexible digital mixing console that is designed to meet the demanding needs of live sound engineers.
L-Acoustics K3 is a high-performance, compact 2-way active line source loudspeaker system designed for professional sound reinforcement applications. It features dual 12-inch LF drivers, a 1.5-inch exit 4″ diaphragm HF compression driver, providing a frequency response of 45 Hz to 20 kHz.
The K3 incorporates L-Acoustics’ patented Wavefront Sculpture Technology (WST), which ensures optimal directivity and uniform coverage across the entire listening area, even at short distances. The system also features advanced signal processing and control capabilities, including adjustable low-frequency contour, high-pass filter, and input gain control.
The K3 is designed to be used in a variety of configurations, including, in arrays, or as a fill speaker in larger sound reinforcement systems. It can be flown or ground stacked, and is compatible with a range of L-Acoustics rigging hardware.
Overall, the L-Acoustics K3 is a powerful and versatile loudspeaker system that is ideal for a wide range of applications, from concerts and festivals to corporate events and installations.
Tomi Engdahl says:
Skylark AV – Eastlake Church – L-Acoustics K3 INSTALL
https://www.youtube.com/watch?v=Nio4mXbb-z4
Tomi Engdahl says:
MIXING for 30k people EVERY NIGHT!
https://www.youtube.com/watch?v=LAt7bDbkmJQ
Tomi Engdahl says:
Audio Geekery! | L’ Acoustics KARA, SB18, KS28, LA RAK, LA8, LA12x, Avid Venue walk thru Seattle HD
https://www.youtube.com/watch?v=uCWoO5egU4o&t=234s
Audio geekery refers to the detailed and often obsessive interest in the technical aspects of audio equipment, recording, and reproduction. Audio geeks are passionate about the science and technology behind sound, and they often spend a lot of time and money on equipment and accessories to achieve the best possible audio quality.
Here are some examples of audio geekery:
High-end audio equipment: Audio geeks are often obsessed with the quality of their audio equipment, and they may spend thousands of dollars on speakers, headphones, amplifiers, and other components to achieve the best possible sound.
Recording and mixing: Audio geeks are often interested in the technical aspects of recording and mixing audio. They may use specialized software and equipment to create the best possible sound, and they may spend hours tweaking and adjusting levels to achieve the perfect balance.
Room acoustics: Audio geeks are often concerned with the acoustic properties of their recording or listening environment. They may use specialized acoustic panels or room treatments to improve the sound quality of their space.
Cables and connectors: Audio geeks are often interested in the quality of cables and connectors used in their audio setup. They may spend a lot of money on high-end cables and connectors to ensure the best possible audio quality.
Audio file formats: Audio geeks are often concerned with the quality and format of audio files. They may prefer lossless audio formats like FLAC or AIFF over lossy formats like MP3 or AAC.
Overall, audio geekery is about the pursuit of the best possible audio quality, and it can be a rewarding and satisfying hobby for those who are passionate about sound.
Tomi Engdahl says:
DEPECHE MODE Gear Rundown Feat. Jamie Pollock (FOH)
https://www.youtube.com/watch?v=eMLUMSasLkk
We met with Sound Engineer Jamie Pollock before the Depeche Show in Copenhagen and discussed how Jamie uses his gear. The System 6000 and the Clarity M Loudness meter are some of Jamie’s most important tools when mixing the band.
Tomi Engdahl says:
L-Acoustics K2 unboxing
https://www.youtube.com/watch?v=50w7MCuQeoI
Timelapse of Frontline Audio unboxing 24pc K2, 16pc KS28 and 4pc LA_RAK2.
Tomi Engdahl says:
QSC L Class LA 108 Line Array Ground Stack Setup
https://www.youtube.com/watch?v=i0ved5dKtQM
Our Kramer Events team got our hands on the new QSC LA108s and set them up in our parking lot. We had a chance to set them up and hear how they sound.
Tomi Engdahl says:
Does Proper Mic Technique Really Exist?
https://www.youtube.com/watch?v=Y8wFWV2oRkk
The video explores different mic techniques using four different microphones. Discuss the concept of proper mic technique and suggest that it is subjective. Demonstrate techniques such as slight distance, lips to the grill, and cupping of the microphone. Also emphasize how the technique can affect sound quality and add complexity for sound engineers. Overall, the different ways in which mic technique can be employed to enhance or modify sound.
Microphone techniques like cupping, which narrows the sound range. Testing a Coles 4104 microphone that has a lip bumper to help maintain the correct distance between the microphone and the speaker’s lips. Various techniques, such as singing over the microphone, speaking far away and then getting closer, and moving side to side, are tested. Dave introduces background noise by using a compressor and compares the performance of different microphones, including the Shure SM58, Heil PR35, Audix OM7, and the Coles 4104 mic.
00:00 Introduction
00:22 Shure SM58 near far, cup and off axis
03:17 Heil PR35 near far, cup and off axis
04:32 Audix om7 near far, cup and off axis
05:18 Coles 4104 near far, cup and off axis
06:39 Test with Compressor
06:56 Shure SM58 with Background Noise
07:13 Heil PR35 with Background Noise
07:30 Audix om7 with Background Noise
08:00 Coles 4104 with Background Noise
08:34 Retest without Air Noise
09:00 Input Sensitivity
10:00 Coles 4104 and F1
10:14 Outro
Tomi Engdahl says:
Kirk Hammett Talks About Metallica’s Gear and Influences
https://www.youtube.com/watch?v=62Wn4MD8_Xs
In this clip, Kirk Hammett discusses Metallica’s gear and influences, James Hetfield’s picking, and his admiration of Johnny Ramone.
Tomi Engdahl says:
How Concert LED Wristbands Work | WSJ Tech Behind
https://www.youtube.com/watch?v=GCsmZA08oD8
Whether it’s Taylor Swift’s Eras Tour, Coldplay’s World Tour or a BTS K-Pop show, light-up wristbands or light sticks have become an expected part of the concert experience.
WSJ goes behind the scenes with PixMob, a leading concert LED company, to see how they use “old tech” to build creative light shows, essentially turning the crowd into a video canvas.
0:00 Wristbands at Live Events
0:47 Radio Frequency
2:57 Infrared
4:42 Bluetooth
Tomi Engdahl says:
Surround Sound | Everything You Need To Know (In 5 Minutes!)
https://www.youtube.com/watch?v=o2uJst2aObI
Tomi Engdahl says:
Wireless audience LED wristband
https://www.youtube.com/watch?v=oEdaRYd9kkc
The wireless version of the audience interaction LED wristband, given to me by Vince the crew chief for our exploration.
These units are issued to the audience of large concerts, and will light up in colours as part of the show.
IR controlled concert LED wristband
https://www.youtube.com/watch?v=tkHmD0BZK04
Since the Xyloband was used on Coldplay concerts in 2012, the use of interactive audience illumination gadgets has become common in the entertainment industry.
This unit is a Pixmob band that can be given a specific identification code and is controlled by high power infrared floodlights in the lighting rig that transmit control data when triggered by the lighting desk.
Tomi Engdahl says:
WHAT REALLY HAPPENED TO JBL
https://www.youtube.com/watch?v=jKNrOUMwF04
OVER THE LAST 100 YEARS JBL HAS REMAINED A TOP PLAYER FOR SPEAKERS. FROM THE MUSICIAN, TO THE PERFORMANCE, AND ESPECIALLY AT HOME FOR THE LISTENER. HOW DID THEY DO IT WHEN SO MANY COMPANIES FAILED?
00:00 Intro
00:45 The Early Years
02:29 Altec Lansing
04:14 JBL
04:29 JBL Paragon
04:46 JBL Studio Monitors
05:19 JBL Fender Amps
05:35 Woodstock 1969
06:44 Grateful Dead Wall of Sound
07:10 Woodstock 99
07:35 JBL L100
07:53 Pioneer HPM-10
08:21 JBL 4350
08:52 JBL Prima 25
09:46 JBL L250 & B460
10:30 JBL Speaker Parts
11:00 JBL TiK
11:21 JBL Bluetooth Speakers
11:55 JBL Classic
Tomi Engdahl says:
Behringer X32 abuse
https://youtu.be/LlmQrF0TimU?si=Bu_Ss_NCZ9KfYj8O
Tomi Engdahl says:
FOH Engineer Soundchecks A Touring Band For A Show (FULL PROCESS)
https://www.youtube.com/watch?v=jTrTTxM74bI
A walkthrough of my process in soundchecking a band with examples of both room and board audio.
TIME STAMPS
00:00 – Backing tracks
01:20 – Vocal
03:53 – Bass
05:02 – Guitar
06:50 – Drums
09:44 – Band minus vocal
11:22 – Whole band
12:45 – Final results in show – Room
13:32 – Final results in show – Board mix w/ room
Tomi Engdahl says:
A Day in the Life of a Touring Audio Engineer
https://www.youtube.com/watch?v=q162CtXAHhI
A Day in the Life of a Touring Audio Engineer & Tour manager working for rock band While She Sleeps. Shot at LeBikini venue in Toulouse, France on a recent headline tour across France, Spain & Portugal.
00:00 // INTRO
00:44 // LOAD-IN
02:05 // SET UP
03:57 // MICROPHONES
06:33 // CHECK PA
06:45 // RINGING OUT WEDGES
07:50 // LINE CHECK
09:55 // SOUNDCHECK
10:46 // PODCAST RECORD
11:03 // CHANGEOVER
12:00 // SHOW TIME
13:20 // PACK DOWN & LOAD OU
Tomi Engdahl says:
37 Vlogs?! In A Row!? | FOH POV Vlog #37
https://www.youtube.com/watch?v=Rweoj-QmvEU
Tomi Engdahl says:
Soundcheck & Mixing A 3 Band Metal Tour (FOH POV)
https://www.youtube.com/watch?v=TOBFmb7YY-Y
This documents my full day at a music venue from arrival, to soundcheck, to the show itself, to clean up.
The bands in this video:
Haunt – Hauntthenation
Night Demon – NightDemonMetal
Satan – OfficialSatanPage
TIME STAMPS:
00:00 – Checking the stage – Testing PA
02:30 – Drum line check
04:40 – Vocal line check
05:06 – Guitar line check
06:45 – Night Demon full band check
10:22 – Satan guitar/monitor check
13:01 – Satan full band check
14:15 – Haunt full band check
16:00 – Stage layout
20:00 – Doors open
21:15 – Haunt takes stage
24:30 – Night Demon takes stage
27:25 – Satan takes stage
30:40 – Show is over
32:10 – Cleaning the stage – Closing
Tomi Engdahl says:
Using a guitar pedal for Live Sound EQ?
https://www.youtube.com/watch?v=gKt2SjHwUqo
Tomi Engdahl says:
Editing Analog Tape
https://www.youtube.com/watch?v=_TARpAdIjRM
Bradshaw Leigh demonstrates editing analog tape.
Mixing Queen’s “Don’t Stop Me Now” on an Analog SSL Console – GoPro POV
https://www.youtube.com/watch?v=Em9EwVQy-6s
This is not an official mix, this is just for fun.
Tomi Engdahl says:
They Finally Let Me Into Abbey Road Studios!
https://www.youtube.com/watch?v=5HtA-vvXTKo
After 30 years of trying, Abbey Road Studios finally let me walk through their doors. Studio 2 at Abbey Road is sacred ground, having recorded some of the most important bands in music history such as The Beatles, Pink Floyd, Radio Head and Oasis.
Tomi Engdahl says:
Monitor Engineer Show Us Everything! | STYX Evan McElhinney Mixingt Tommy Shaw, JY, Todd Sucherman
https://www.youtube.com/watch?v=01c2XyHtcHc
Evan was such a good dude and showed us so much backstage at the Styx show in Indiana. He mixes monitors for Styx members, Tommy Shaw, JY James Young, Todd Sucherman, Chuck Panozzo, Will Evankovich… He even let us toss some in ears on and have a listen and it was mind-boggling. He runs a Digico Console Using Westone ES60 ears for the entire production. We talk about mixing, gear, POWER DISTRIBUTION, and so much more. Buckle up.
Tomi Engdahl says:
FOH Engineer Getting A Music Venue Ready For Soundcheck (POV)
https://www.youtube.com/watch?v=oYWbfZC-Q4M
Tomi Engdahl says:
Rammstein cable management
https://youtu.be/udtAItsjoj0?si=aQWBYfrXPNZmo_YG
Tomi Engdahl says:
Drone footage shows Taylor Swift stage setup in Cincinnati at Paycor Stadium
https://www.youtube.com/shorts/U-sSrj_pVv0
Taylor Swift’s Eras Tour: A Deep Dive into the Tech Behind the Show
https://www.youtube.com/watch?v=5qmqXbggxFY
Brandon Peltz geeks out about all the tech in the taylor swift eras tour while walking through a 3D render of the entire stage and explaining the different lights, line arrays and sections of video used to bring the show to life.
He is using Mad Mapper to map all the LED walls in the software while sending NDI in real time to Depence 2 the visualizer software he used to create the 3D render. Created, Shot and Edited same day.
Tomi Engdahl says:
Solo Live Streaming on Steroids: Virtual Guests, Overlays & Switchers Revealed!
https://www.youtube.com/watch?v=dt9Y5bSnFcw
Complete Setup and run through of a Live Stream for a Corporate Client Completely Virtual. Both Audience and Talent was virtual online. Stream to Vimeo where it was embedded into client’s platform of choice. No rehearsals , all setup and executed by One person. There were other staff involved in asset prep, green room for zoom call, and client management.
Tomi Engdahl says:
This diy DMX Light Rig will Change Your Live Shows
https://www.youtube.com/watch?v=Me3-dcMfEtM
Here’s how I built a Modular DMX Lighting Rig for quick and affordable custom light shows.
LIGHT YOUR STAGE FOR CHEAP! DIY Quasar Science Tube lights
https://www.youtube.com/watch?v=Er_NqsJUQ0o
How to Set up a Simple DMX System
https://www.youtube.com/watch?v=GyBqlMhm1A0
Tomi Engdahl says:
Easy Setup Stage Lighting – Ground Supported Only
https://www.youtube.com/watch?v=AFHQHHxV3Lg&list=PLEyo6_xbT5EB4PSmcb-yGEk41wDKQo7h1
Easy Setup Stage Lighting – No Space Behind the Band
https://www.youtube.com/watch?v=cBencEh1jK8
Tomi Engdahl says:
Sphere Entertainment Co. announced that Powersoft, the leader in energy-efficient amplification technology, contributed immersive haptic technology and cutting-edge amplifier solutions that are being used in Sphere, a next-generation entertainment medium in Las Vegas.
https://en.soundlightup.com/archives-3/home-news/sphere-partners-with-powersoft.html?fbclid=IwAR0-59cQBgh6BkTZAQNwnk2OxCgF8-hQ1XT2r0S98QMQiJTlGtdvc7lXUdo_aem_AfinaTSlcIVSP3DjH3YKLgTOZ_j2X_dWGfWkIX1UZ1EUnjyG0Op0F3rYOVUd20Z7xgM-OBDLL6jgmYfpSTdUWmI6
Tomi Engdahl says:
Comparing The Sound Quality Of Different Pro Audio Subwoofer Arrays
https://www.youtube.com/watch?v=TRrszdwpydk
Tomi Engdahl says:
An Inside Look at the Audio System in the Las Vegas Sphere
https://www.youtube.com/watch?v=A-1ICkrXu-Y
Roman Sick is the CEO of @holoplot the company tasked with designing the audio system at the MSG Sphere in Las Vegas. Watch as he gives viewers a behind-the-scenes perspective on the audio technology used in this game-changing new venue. @SphereVegas
#msgsphere #sphere #audio #proav #lasvegas #msg #immersive #immersiveaudio
0:00 – Introduction
0:47 – Research and Development
2:21 – 3D Beamforming Technology
3:23 – Wavefield Synthesis
4:36 – Looking back at the project
5:29 – Will this change the entertainment industry?
Behind the Screens: The LED at the Las Vegas Sphere
https://www.youtube.com/watch?v=nQB_M2GumNo
The interior and exterior LED screens at the MSG Sphere in Las Vegas are jaw-dropping. And the manufacturer behind that LED is Saco. We spoke with Jonathan Labbee and Yanick Fournier to learn more about the 16K by 16K interior screen, what went into the 1.2 million S-POK LED modules on the exterior and much more. @SphereVegas @SACOofficial
0:00 Introduction
0:32 Starting the project with MSG
1:44 The interior LED screen
2:54 The pixel pitch of the Exosphere
4:00 Opening night at Sphere
5:18 Sphere’s impact on Pro AV
Tomi Engdahl says:
https://audioxpress.com/article/r-d-stories-design-and-development-of-the-holoplot-x1-matrix-array?hss_channel=fbp-1686996334904830&utm_campaign=MSG&utm_content=267593530&utm_medium=social&utm_source=facebook
Tomi Engdahl says:
OR YOUR ENTIRE DESIGN PROCESS.
SKETCH, MODEL, PRESENT. THE ULTIMATE SOFTWARE FROM START TO FINISH.
https://www.vectorworks.net/en-GB
Tomi Engdahl says:
Record Labels Ask Artists To ‘Limit Album Re-Recording’ To Avoid Another ‘Taylor’s Version’
https://9gag.com/gag/aGEvQX5
Tomi Engdahl says:
https://www.avecmedia.fi/tapahtumat/tapahtumaslangin-abc-humppamutteri-fiilismikki-ja-muut-alan-tarkeimmat-ja-harskeimmat-ammattitermit/
Tomi Engdahl says:
DUAL CORE 256 SETUP ON THE ROAD WITH POST MALONE
https://www.digitalaudio.dk/TECH-TALK-2/Tech-Talk-front?recordid2118=1210&fbclid=IwAR21lNxfnCul15ty7n4SRbu2Uj4fUo_lxSFXaZkzI-zkQjrYAo6s-4tq4nw_aem_ATqUZ9XJ82guROUaMJTane6IHO71CPX9wMIcL0izSKQSzFn8eWUbH_GfLLPhNxP7m1e3L_Ub2FOVIeZRoAGow-oQ
Tomi Engdahl says:
https://www.prolyte.com/support/blackbooks?fbclid=IwAR2By4XdJJ2qtpCFdwfRlJiT4s_LkLsxAPFjdIZtEDLSU6xEXFXaYv7GBcE