Nowadays you can make music on on your browser – even if you can’t really play real instruments. I have earlier written about Patatap, and here are some new finding on this field:
ACID MACHINE BETA is a in-browser tool (uses HTML5 “magic”) that emulates Roland’s TB-303 bass synthesizer with built-in sequencer. It brings the essence of building a bass, lead and drum sequence to you without the need to install any additional software! (works well on Firefox and Chrome) It allows you to easily make your own ACID house music as the well-known “acid” sound is typically produced by playing a repeating note pattern on the TB-303 (like in this classic track).
According to Make acid house in your browser with Acid Machine article Acid Machine is described by developers Errozero as a “work in progress”, but it’s already working better than a faulty TB-303 found on eBay. As well as featuring two of the famous bass synthesisers, Acid Machine also features a drum machine. Acid Machine is making the dream of writing acid house tracks in the office a reality. Play with it for few minutes and you have some interesting sounding results!
Want some more drum machines? Emulate four classic drum machines in your browser article tells about HTML 5 Drum Machine Emulator that that can emulate five different kits: Roland’s iconic TR-808 and TR-909, the Linndrum, Elektron’s Machinedrum and an acoustic drum kit. You can create multiple 16-step patterns, manipulate the pitch and volume of each individual drum sample and even save patterns for the next time you visit the page. Once you’ve laid down your beat, you can even export the whole thing as a WAV file.
Or do you want to try to play with hip hop samples? Turn your computer keyboard into an MPC and recreate hip hop beats from Dilla, Kanye and 9th Wonder with interactive hip hop sampler Sample Stitch. Sample Stitch lets you reinterpret, record and even share your creations to Facebook and Twitter.
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Tomi Engdahl says:
Meme video
Leek Spin
https://www.youtube.com/watch?v=1wnE4vF9CQ4
Inoue from Bleach spinning a leek with my best attempt at editing the original song: Loituma – Ievan polkka (Ieva’s Polka).
Tomi Engdahl says:
Loituma Girl (also known as “Leekspin”) is a Flash animation set to a scat singing section of the Finnish song “Ievan polkka,” sung by the Finnish quartet Loituma
On 10 July 2006, the Finnish newspaper Helsingin Sanomat reported that Loituma Girl had caused a resurgence in Loituma’s popularity, and the band had received thousands of fan letters from around the world.
https://en.wikipedia.org/wiki/Loituma_Girl
Tomi Engdahl says:
Timo Kahilainen ennen Kummelia
https://www.youtube.com/watch?v=amNfgHHvZAU
Timo “Kummeli” Kahilaisen näkemys rumpukoneista.
Lopussa jo tapailee Sporttivartin tunnusmusiikkia.
Alunperin esitetty Rockstop ohjelmassa 9.2.1991
Tomi Engdahl says:
The SMALLEST MASTERING CHAIN in the WORLD?
https://www.youtube.com/watch?v=IvIv5ZG86vY
INDEX:
00:00 – Intro
00:31 – Overview
02:25 – Compression
08:15 – Gaining
08:50 – EQ
09:51 – Drive
11:14 – Conclusion
15:36 – Disclosure
16:25 – Support me!
Tomi Engdahl says:
Legendary Basslines You Think Are Played on Bass (but aren’t)
https://www.youtube.com/watch?v=TNhwaJalHE0
Exposing some of the most legendary and iconic basslines… that are actually NOT played on bass. We have all been betrayed.
Tomi Engdahl says:
https://www.thomann.de/blog/en/songs-too-static-add-depth-and-liveliness/?utm_source=facebook.com&utm_medium=cpc&utm_campaign=feed&utm_content=blog_songs&fbclid=IwAR17z9EdldRTtG14d6bHAM-bBUuWWskOOUVfczjWw-4ar-Y6XyYQnwCKPqY
Tomi Engdahl says:
TYLSÄ BIISI TULILLA? LISÄÄ KAPPALEESEESI ELOA NÄILLÄ SYNTEETTISILLÄ KIKOILLA!
https://www.thomann.de/blog/fi/tylsae-biisi-tulilla-lisaeae-kappaleeseesi-eloa-naeillae-synteettisillae-kikoilla-fin/
Tomi Engdahl says:
100 Greatest Country Songs of All Time
From “Blue Moon of Kentucky” to the Paisley croon of modern Nashville
https://www.rollingstone.com/music/music-lists/100-greatest-country-songs-of-all-time-11200/7-ray-charles-you-dont-know-me-1962-12688/
Tomi Engdahl says:
Building a Guitar from Scratch (with a pro luthier)
https://www.youtube.com/watch?v=qmDAIlEGO_Q
The 100-hour process of building a classical guitar.
Tomi Engdahl says:
Why Does Music Only Use 12 Different Notes?
https://www.youtube.com/watch?v=lvmzgVtZtUQ
Why does Western music divide the octave into 12 different notes? Why not 13, or 19 or 24 notes? For such a simple sounding question, the answer is actually a tangle of history, physics and human preference. Get ready for some serious music theory!
Tomi Engdahl says:
Why are there no black notes in these gaps?
https://www.youtube.com/watch?v=r7aQQQsvxho
Why is there no black note between B and C or between E and F? Well, this is a simple sounding question with a not very simple answer. You’ll need to be sitting up in your seat for this one!
Tomi Engdahl says:
Microtonality in Western Music
https://www.youtube.com/watch?v=q1XOnIk2ai8
Microtonality is rarely found in most western music, even in more progressive styles like jazz, prog rock and classical. However, if you look in the right places, you can find a range of microtonal moments in a whole range of songs.
Tomi Engdahl says:
Piano’s Darkest Secret
https://www.youtube.com/watch?v=ZXlknI-Jc48
There’s a dark shadow in the piano world, an unspoken acknowledgement that having small hands is a deadly curse for a pianist. Whenever the topic appears, people quickly hush each other and avoid it, as if dwelling on it for too long will bring out an evil spirit. But the true secret is even darker: the curse has a cure, but it’s being suppressed. You go to the doctor for a disease and they prescribe you everything except the one treatment that actually works.
Tomi Engdahl says:
7 super common chord progressions and why they work
https://www.youtube.com/watch?v=Vyc8lezaa9g
Some chord progressions are just so good and so effective that they get used time and time again, so let’s today take a look at seven of the most commonly used chord progressions and perhaps shine a bit of light on why they work so well.
Axis of Awesome four chord song: https://youtu.be/5pidokakU4I
Tomi Engdahl says:
Songs that use 7/4 time
https://www.youtube.com/watch?v=-UA6n7iKeYQ
Check out my 7/4 Frère Jacques in Adam Neely’s video: https://youtu.be/cC8KT07m5aY
7/4 time is perhaps my favourite odd time signature, and it certainly doesn’t get enough usage in popular music! Today we’re taking a look at six song that do use this brilliantly uneven metre, plus, if you hang around to the end, you may even hear what Frère Jacques would sound like if it was forced into a 7/4 time signature!
Tomi Engdahl says:
The Modes Ranked by Brightness
https://www.youtube.com/watch?v=jNY_ZCUBmcA
Comparing scales and tonalities by their relative brightness can be a far more objective and useful way to conceptualise music. The seven modes of the major scale offer a fantastic range of brightnesses to choose from. In today’s video I’ll be working my way through the modal sprectrum and demonstrating some classic examples of modal writing as I go, including ‘Uptown Funk’, ‘Mad World’, ‘Yoda’s Theme’, ‘The Force Theme’, ‘Wherever I May Roam’ and plenty more.
Tomi Engdahl says:
The Making Of: Higher Love (Kygo, Whitney Houston) #1
https://www.youtube.com/watch?v=OCe-6UprFGo
Kygo & Whitney Houston – Higher Love (Official Video)
https://www.youtube.com/watch?v=JR49dyo-y0E
Tomi Engdahl says:
Circle of Fifths: Everything You Need to Know
https://www.youtube.com/watch?v=O43EBVnwNvo
The circle of fifths is a unique pattern of the 12 pitches in western classical music theory which is commonly paired with information about key signatures but also gives many insights into harmony, intervals, transposition, and chord structure.
Tomi Engdahl says:
Circle of Fifths Explained (For Guitar) – How to actually USE the Circle of 5ths guitar lesson
https://www.youtube.com/watch?v=qF3mJzDulJ8
In this video, you’ll learn how to use the circle of 5ths to write songs. Learn which chords work with each other in a key.
00:00 – Introduction
02:36 – How to find the 1, 4, 5 chords in a key
04:24 – Find a relative minor
06:07 – Chords in a chord family
11:20 – Borrowed Chords
12:00 – Minor keys
12:19 – Secondary Dominant Chords
Tomi Engdahl says:
Music theory concepts ranked by importance
https://www.youtube.com/watch?v=ItsMmqTOgKo
Music theory can certainly be a massively useful tool for musicians looking to unlock their potential. However, you certainly don’t need to every single facet of theory to reap the benefit! So today I’m going to rank different music theory concepts on their importance and value to hopefully give you a better idea of what is need to know and what is nice to know!
0:00 Introduction
1:42 Note names
2:20 Triads
2:58 Seventh chords
3:43 Inversions
4:37 Upper chord extensions
5:23 Ear training
6:30 Intervals
7:17 Major scales
8:11 Pentatonic scales
8:51 Minor scales
9:32 Modes of the major scale
10:19 Modes of other scales
11:10 Exotic scales
11:58 Transposition
12:46 Key signatures
13:17 Roman numeral analysis
14:15 Note values
15:22 Articulation
16:13 Time signatures
17:24 Tuplets
18:20 Rhythmic solfège
19:38 Cadences & functional harmony
20:27 Clefs
21:15 Dynamics
22:24 Polyrhythms
23:24 Polymeters
24:41 Tritone substitution
25:54 Microtonality
27:01 Harmonic series
28:06 Temperaments
Tomi Engdahl says:
Music Theory Masterclass 1: Drilling the Basics
https://www.youtube.com/watch?v=De97zQi5rzc
In this first Music Theory Masterclass we will drill the basics of music theory.
Tomi Engdahl says:
Finding the PERFECT GUITAR: Body Shapes
https://www.youtube.com/watch?v=i2dLy7nKPn8
Tomi Engdahl says:
Songs that use the Pentatonic scales
https://www.youtube.com/watch?v=MGpUscFY9RA
The pentatonic scale is sometimes looked down upon as “that scale that every amateur guitarist won’t stop playing!” But the pentatonic scale is actually the closest thing we have to a universal scale of music. Across different cultures and styles, the pentatonic scale is often the foundational set of notes that writers and musicians just keep coming back to.
The five modes of the pentatonic scale:
1st Major Pentatonic (Ionian mode):
1 2 3 5 6
C D E G A
2nd Egyptian Suspended (Dorian mode):
1 2 4 5 b7
C D F G Bb
3rd Blues minor/Mang Gong (Phrygian mode):
1 b3 4 b6 b7
C Eb F Ab Bb
4th Blues Major/Ritsusen/Yo Scale (Mixolydian mode):
1 2 4 5 6
C D F G A
5th minor Pentatonic (Aeolian mode):
1 b3 4 5 b7
C Eb F G Bb
Tomi Engdahl says:
Bobby McFerrin Demonstrates the Power of the Pentatonic Scale
https://www.youtube.com/watch?v=ne6tB2KiZuk
Bobby McFerrin demonstrates the power of the pentatonic scale, using audience participation, at the event “Notes & Neurons: In Search of the Common Chorus”. Watch the full program here: https://youtu.be/S0kCUss0g9Q
The World Science Festival gathers great minds in science and the arts to produce live and digital content that allows a broad general audience to engage with scientific discoveries. Our mission is to cultivate a general public informed by science, inspired by its wonder, convinced of its value, and prepared to engage with its implications for the future.
Tomi Engdahl says:
Nylon String vs Steel String Guitar! – Which One Should You buy?
https://www.youtube.com/watch?v=JL4w3ixUDdw
Tomi Engdahl says:
Songs that will help you identify ascending intervals
https://www.youtube.com/watch?v=PhDIm_2qS5s
Being able to recogise intervals when listening to a melody is incredibly valuable. A great way to anchor your perception of each interval is to use a famous song to remember how they sound, to remember the particular sound of each interval. So today I will give you at least one famous melody for the twelve intervals within the octave and one beyond the octave!
0:00 Introduction
1:52 Minor 2nd
2:47 Major 2nd
3:39 Minor 3rd
4:22 Major 3rd
5:34 Perfect 4th
6:03 Tritone
8:08 ToneGym
8:55 Perfect 5th
10:02 Minor 6th
11:54 Major 6th
12:52 Minor 7th
14:16 Major 7th
15:35 Octave
16:48 Intervals beyond the octave
19:02 Minor 9th
20:42 Outro
Tomi Engdahl says:
Testing 432 Hz Frequencies (and temperaments)
https://www.youtube.com/watch?v=ghUs-84NAAU
432 Hz might be how we should be tuning our instruments, but….
…most justifications for 432 require it to be in really wacky tuning systems for the numbers to make any sort of numerological sense. I actually tested some of these tuning systems to hear how they sound.
THE THREE TUNINGS I USED
Sonic Geometry: The Language of Frequency and Form
https://www.youtube.com/watch?v=FY74A…
Chakra Tuning
https://www.chakrakey.com/chakra-freq….
Stradivari/Verdi Tuning (A = 432 hz, C = 256 hz),
http://www.viewzone.com/432hertz222.html
Tomi Engdahl says:
https://www.theguardian.com/music/2020/nov/11/she-made-music-jump-into-3d-wendy-carlos-the-reclusive-synth-genius
Tomi Engdahl says:
1,000 True Fans
https://kk.org/thetechnium/1000-true-fans/
To be a successful creator you don’t need millions. You don’t need millions of dollars or millions of customers, millions of clients or millions of fans. To make a living as a craftsperson, photographer, musician, designer, author, animator, app maker, entrepreneur, or inventor you need only thousands of true fans.
A true fan is defined as a fan that will buy anything you produce. These diehard fans will drive 200 miles to see you sing; they will buy the hardback and paperback and audible versions of your book; they will purchase your next figurine sight unseen; they will pay for the “best-of” DVD version of your free youtube channel; they will come to your chef’s table once a month. If you have roughly a thousand of true fans like this (also known as super fans), you can make a living — if you are content to make a living but not a fortune.
Here’s how the math works. You need to meet two criteria. First, you have to create enough each year that you can earn, on average, $100 profit from each true fan. That is easier to do in some arts and businesses than others, but it is a good creative challenge in every area because it is always easier and better to give your existing customers more, than it is to find new fans.
Second, you must have a direct relationship with your fans. That is, they must pay you directly. You get to keep all of their support, unlike the small percent of their fees you might get from a music label, publisher, studio, retailer, or other intermediate. If you keep the full $100 of each true fan, then you need only 1,000 of them to earn $100,000 per year. That’s a living for most folks.
A thousand customers is a whole lot more feasible to aim for than a million fans. Millions of paying fans is not a realistic goal to shoot for, especially when you are starting out. But a thousand fans is doable. You might even be able to remember a thousand names. If you added one new true fan per day, it’d only take a few years to gain a thousand.
The number 1,000 is not absolute. Its significance is in its rough order of magnitude — three orders less than a million.
This Simple Advice Changed My Music Career
https://www.youtube.com/watch?v=1THs07PS7RI
Tomi Engdahl says:
How to Write a Great Melody (Over Chords)
https://www.youtube.com/watch?v=jA7gdz56LtY
10 Tips for Writing a Melody Line over a Chord Progression.
Tomi Engdahl says:
https://apps.apple.com/fi/app/garageband/id408709785?ls=1&v0=www-us-ios-garageband-app-garageband
Tomi Engdahl says:
How to Turn a Few Notes Into a 3 Minute Piece of Music
https://www.youtube.com/watch?v=6p8kQOrbvTw
How do you turn a simple idea into a fully developed 3-minute piece of music? How can you take a few notes and develop the motif into a structured composition? It’s a problem that many composers face so Guy Michelmore comes to the rescue with lots of suggestions for ways to develop your orchestral ideas into fully-fledged pieces of music. Using Spitfire Audio’s BBC Symphony Orchestra library with Spitfire Originals string libraries he creates a complete orchestral piece of music in just over one hour.
Tomi Engdahl says:
7 super common chord progressions and why they work
https://www.youtube.com/watch?v=Vyc8lezaa9g
0:00 Introduction
0:22 the Axis Progression
3:46 the OTHER Axis Progression
6:29 the Andalusian cadence
8:32 the Aeolian vamp
11:05 the Doo-wop changes
14:22 the Major Scale vamp
16:38 the Mixolydian vamp
6 more common chord progressions and why they work
https://www.youtube.com/watch?v=v3YbEL-_eoI
0:00 Introduction
0:22 the Plagal Cascade
2:44 the “Can’t Stop” progression
5:45 the “Closing Time” progression
9:05 the OTHER other Axis progression
13:02 the “Mr. Brightside” progression
15:39 the 12 bar blues
Tomi Engdahl says:
Before Are “Friends” Electric?: How Synth-Pop Became Synth-Pop
https://www.youtube.com/watch?v=hm__xDOWxDc
A vision of the future that never properly arrived, Synth-pop was an ever present staple of the British charts in the 1980s. A canny fusion of pop-suss and technological invention, its height reflected the increased affordability of commercial synthesizers from the late 1970s onward. But that doesn’t mean that the likes of The Human League, Ultravox, OMD and Gary Numan were the first to splice synths and pop together. So who were the pioneers? What were the essential steps along the way, the key tracks and influencers? And how did we get to the point where “Are “Friends” Electric” got to number one? This is how Synth-pop became Synth-pop.
Tomi Engdahl says:
FIRESTARTER – How The Prodigy Won Over the Metalheads | New British Canon
https://www.youtube.com/watch?v=_JR-qXO2Skw
From the commercial heights of nu metal to the more recent experiments with hip hop combining both emo and country, Genre fusion has come a long way. But back in the 90s Dance and Rock were separate entities. In the UK, The Stone Roses, Primal Scream, the Happy Mondays and of course New Order had been tinkering with dance music within a rock format but for the most part dance was dance, rock was rock. And rarely did anyone listen to both. Then came Liam Howlett and The Prodigy. They cared not for genre divides. Starting off as a chart-bothering rave act in 1990 with tracks like “Charly” and “Out of Space”, by their second album, Music for the Jilted Generation, they had moved beyond pure dance into something way more interesting, for example on “No Good Start the Dance”, “Poison” and “Voodoo People”. Inspiring everyone from Death Grips, Pendulum, Refused, Enter Shikari and Skrillex. Their unique mix of electronica, hip hop and rock led to their storming dance-punk crossovers 1996’s “Firestarter” and “Breathe” on the album The Fat of the Land. With them, they proved that a song could still be both danceable and metal heavy. Even today, it remains as one of the heaviest UK number one singles of all time. This is New British Canon and this is the story of How “Firestarter” Won Over the Metalheads.
Tomi Engdahl says:
Japan’s favourite chord progression and why it works
https://www.youtube.com/watch?v=6aezSL_GvZA
The “royal road” progression (Ōdō shinkō) is to Japan what “the axis progression” is to the Western world. This chord progression comes up time and time again across Japanese music, to the point that to many listeners, the progression has a “Japanese” sound to it.
Tomi Engdahl says:
Top 10 Synthesizers Of All Time
https://www.youtube.com/watch?v=pY-UiRNQCdE
Here are the 10 most famous synthesizers in history!
00:00 – Intro
00:33 – Oberheim OB-8
01:18 – Roland D-50
03:15 – Fairlight CMI
04:35 – Prophet 5
06:28 – Korg M1
09:10 – ARP 2600
11:19 – Yamaha CS-80
12:54 – Yamaha DX-7
14:30 – Roland Jupiter 8
16:36 – Minimoog
19:22 – Outro
Tomi Engdahl says:
How to replicate Teenage Engineering OP-1 and OP-1 Field for free. | GAS Therapy #35
https://www.youtube.com/watch?v=zU8alMWUmDI
This is a detailed tutorial showing you how to replicate OP-1 and OP-1 Field for free. Remember, what defines you is not what you own, it’s what you do.
https://tal-software.com/products/tal-noisemaker
Tomi Engdahl says:
This plugin is Next level! FREE PLUGINS, Deals and more! (MUSIC PROD NEWS)
https://www.youtube.com/watch?v=-MQK21ojka4
Tomi Engdahl says:
Top 10 Synthesizer Riffs Of All Time
https://www.youtube.com/watch?v=fvBhnXKGz_Q
00:00 – Intro
00:26 – #10: Gershon Kingsley “Popcorn”- Minimoog https://www.youtube.com/watch?v=oYTu_… – Music To Moog By https://youtu.be/CWbR4kweaFk
02:43 – #9: Van Halen “Jump” – Oberheim OB-Xa https://youtu.be/k85mRPqvMbE
04:03 – #8: Ray Parker JR “Ghostbusters” Korg Poly 61 https://youtu.be/m9We2XsVZfc
05:34 – #7: Darude “Sandstorm” Roland JP-8080 https://youtu.be/y6120QOlsfU
07:59 – #6: Herbie Hancock “Rockit” – Rhodes Chroma https://youtu.be/qPTHjZ6JYIU
09:54 – #5: Eurhythmics “Sweet Dreams” – Oberheim OB‑X https://youtu.be/qeMFqkcPYcg
11:54 – #4: Yazoo “Don’t Go” ARP 2600 + Bass Sequential Circuits Pro-One https://youtu.be/_sQGwDeambg
12:56 – #3: Harold Faltermeyer “Axel F” – Jupiter 8 https://youtu.be/Qx2gvHjNhQ0
14:27 – #2: A-HA “Take On Me” – Roland Juno-60 + Yamaha DX7 + PPG Wave https://youtu.be/djV11Xbc914
15:32 – #1: Europe “The Final Countdown” – Roland JX-8P https://youtu.be/9jK-NcRmVcw
Tomi Engdahl says:
Orbital’s Paul Hartnoll shows us how he keeps the classic sound of rave alive
https://www.youtube.com/watch?v=VjlWypTclec
Earlier this year rave pioneers Orbital – the British electronic duo made up of brothers Phil and Paul Hartnoll – returned with their first studio album in six years, Monsters Exist.
Whilst preparing for a string of live dates in the US and UK, Paul took the time to show us how he keeps the classic sound of rave alive with a combination of state-of-the-art samplers, classic synths and vintage gear.
Tomi Engdahl says:
Retro Jungle Production With Pete Cannon
https://www.youtube.com/watch?v=IDn7ZDcx9w0
The sound of jungle is intrinsically linked with the computers and samplers of the ‘80s and ‘90s. We talk to jungle producer Pete Cannon in this exclusive SOS Video Feature, about how and why he’s still using Akais, Ataris and Amigas.
0:00 Intro
0:34 Pete Interview
5:07 Using A Modified Akai S1100 & Octamed Tracker on Amiga
12:20 Short Live Track Playthrough
13:22 Rave Chord Stabs Using “Chord Memory”
14:51 Cubase 2 and Atari ST 520
17:48 8-bit Sampling With The Amiga
19:00 8-bit Vinyl Test Pressings Arrive!
20:08 Some More Octamed Details
21:08 Track Playthrough In Octamed
25:25 Outro
https://www.soundonsound.com/techniques/retro-jungle-production-pete-cannon
Tomi Engdahl says:
10 Mixing Tips That Changed My Life
https://www.youtube.com/watch?v=cU0tHoyJYjo
Tomi Engdahl says:
69 Producer Hacks In 420 Seconds
https://www.youtube.com/watch?v=jS-1dMWEnIw
In this tutorial, I’ll show you 69 music production hacks, tips and tricks!
69 Producer Hacks in 420 Seconds | Ep 02
https://www.youtube.com/watch?v=Qo6pZCb8IIY
In this tutorial, I’ll show you 69 music production hacks, tips, and tricks!
Tomi Engdahl says:
https://pianofs.com/what-chords-are-in-the-four-chord-song-how-to-play-it-in-any-key/
Tomi Engdahl says:
The Music Theory Iceberg Explained
https://www.youtube.com/watch?v=NmeogiNhdHI
0:00 Introduction
0:30 1: Open air
2:04 2: Tip of the iceberg
4:02 3: Under the surface
7:50 4: Sinking deeper
14:00 Hooktheory
14:44 5: Daylight doesn’t reach down here
20:33 6: Running out of oxygen
29:27 7: The ocean floor
43:54 Conclusion
Tomi Engdahl says:
https://tabs.ultimate-guitar.com/tab/reijo-taipale/rantakoivun-alla-chords-3285962
Tomi Engdahl says:
21 Songs that use Pachelbel’s Canon chord progression
https://www.youtube.com/watch?v=_PC6jwoHyOk
Whether in its original form, or with slight adjustment, the chord progression used throughout Johann Pachelbel’s “Canon in D” has been repurposed into numerous pop songs, and Peter Waterman even claims that Canon is “the godfather of all pop music”.
0:00 Introduction
1:01 Examples
3:08 Variations on the progression
6:27 Flowkey
7:11 Why is it so popular?
Tomi Engdahl says:
Wait, why do these basic chords sound SO GOOD? | Q+A
https://www.youtube.com/watch?v=k3iDKsjSiIQ
0:00 Intro
0:16 Why does E – A/E – E – E/G# – A sound so good?
3:01 WRONG chord progression
6:40 What’s the “third steam?”
8:25 What is the craziest chord you can play?
8:41 Why no classical bass, but classical guitar?
9:53 Should people take AP music theory?
10:17 Whats your favorite/least favorite thing about the nYC scene?
11:18 Is clickbait unavoidable?
Tomi Engdahl says:
Evolution Of Rock Music (1949-2021)
https://www.youtube.com/watch?v=ZuE_bBsdit4
EVOLUTION OF MUSIC | 1950-2021 Top hits
https://www.youtube.com/watch?v=zXsAUwyPmbs